12/9/2023 0 Comments Tower of power power![]() ![]() Alternate versions of "Montmartre," "The Rainbow People," and "Stanley the Steamer" are likewise an essential part of Gordon's Complete Prestige Recordings (2004) 11-CD box set. Another five titles from these sessions were released as More Power! (1969) the following year and all nine were eventually compiled some ten years later as simply Power! (1979). ![]() How does the process compare to other forms of energy storage, such as. Energy Vault has created a new storage system in which a six-arm crane sits atop a 33-storey tower, raising and lowering concrete blocks and storing energy in a similar method to pumped hydropower stations. Nowhere is there a better example than just prior to the song's coda as Harris gets a final chance to contribute. Tower of power: gravity-based storage evolves beyond pumped hydro. Gordon selflessly provides copious space to his bandmates, a quality that certainly makes selections such as these a pleasure to revisit. Once again, Gordon and Williams are stunning in their affinity for balance and timing as they complement each other - particularly during the introduction as the bassist incorporates the longing and yearning sonic consistency of a bow. Horn-driven soul/R&B/rock/pop/funk outfit Tower of Power have been rocking their sound since 1968, infusing Soul with a Capital S into the music industry. The cover of Gene Raskin's memorable ballad "Those Were the Days" is a fitting conclusion if not an emotional zenith for all involved. Heath then is given room for an all-too-brief solo before wrapping up the affair behind the same conspicuously catchy cadence from the top. The exchanges and banter created by Williams and Harris are priceless as they briefly and creatively cajole. As he had done earlier, Heath's slippery and mutable groove at the start of "Stanley the Steamer" has shades of soul as the rest of the combo remain comparatively straight for maximum effect. Williams' thick and wistful lines add a measure of empathy to Gordon's introspective leads. The lovely Gordon original "Rainbow People" is full of warm textures revealing a remarkably intimate rapport between he and Harris. Heath turns the beat around to undergird the unit with a funkier, almost rock rhythm - a device that the percussionist would refer back to in short order. His quote of Georges Bizet's Carmen is especially tasty. ![]() The arrangement is loose enough to allow Harris to subtly interject and punctuate within the spaces left by the two tenors. Gordon and Moody swing steadily as they bounce ideas off each other. An opening flourish from Heath on "Montmartre" marks the commencement of the platter, leading into a mid-tempo bop. Joined by James Moody (tenor sax), Barry Harris (piano), Buster Williams (bass), and Albert "Tootie" Heath (drums), Gordon actually documented enough material for two long players - Tower of Power (1969) and More Power! (1969) - both of which became primary staples of the artist's voluminous Prestige catalog. I told the guys that I was leaving for the holidays, and if nothing happened with this audition, I wasn’t coming back.”įortunately, he did, and the rest as they say, is history.Dexter Gordon (tenor sax) returned to the United States in the spring of 1969 to create his first studio recordings in nearly a decade. ![]() We wrote the songs for East Bay Grease, and by November, we were at the end of our rope. Then, my parents moved to Detroit, and I was on my own, broke and hungry, and all I did was rehearse. One night, the ABC came in, and caught the trumpet player drinking, and the next thing we knew, a notice was out across the Bay Area that if they hired us again, clubs would lose their liquor license. “We had been playing nightclubs, and we had gotten busted for being underage. The Fillmore was a major goal, which came along at the right time. Doc then suggested that we start writing our own songs.” We grew our hair long, and started to be hippies, and changed our name. “We wanted to get into the Fillmore Auditorium and with a name like the Motowns, dressed in suits with razor cuts, we knew we’d never get in there. He came in the band, and we eventually changed our name to the Tower of Power.” The reason for the band name change was that they had a specific goal in mind. I met “Doc” Kupka back in 1968, and gave him an audition. “Rocco was the bass player, I was in there, and my brother was the drummer. For over 50 years, Tower of Power has delivered the best in funk and soul music.“We were a Soul band called The Motowns.” recalls Emilio Castillo. ![]()
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